শনিবার, ৩ আগস্ট, ২০১৩

Tomopop Review: Hot Toys Agent Phil Coulson - TOMOPOP

I said to myself while watching The Avengers that if Hot Toys were to make a figure of Agent Coulson, I would buy it. Sure enough, $179.99 plus shipping later, I would keep that promise. Hot Toys has a reputation, and I fully bought into it. While Coulson lives, is he worth the price? Find out in the review of Hot Toys' Agent Phil Coulson.

Figure Name: 1/6 Movie Masterpieces Agent Phil Coulson
Figure Maker: Hot Toys
Price: $179.99
Available at: eBay

Going with standard protocol, here's a look at the cover slip for Agent Phil. As with all of Hot Toys' Avengers releases, you have the faded dot print, this time in blue, and the shot of Coulson himself. The name at the top and bottom of the boxes follows the standard as well. Along the sides are a small S.H.I.E.L.D. emblem.

Taking the cover off, you're treated to the goods. The most enticing part of any Hot Toys release are the accessories included. As for hands, you'll get an extra pair of trigger hands as well as a right hand for holding the best accessory, a set of Captain America vintage trading cards. Also included in the package are a S.H.I.E.L.D. dossier, watch, eyeglasses, cellphone, headset, walkie-talkie and I.D. card.

For Coulson himself, it is Hot Toys' usual effort in terms of detail. The suit fits perfectly, but you won't be able to close the jacket. Coulson is meant to be displayed in action, so much so that the tie is fixed to be uneven. Even though the articulation is top-notch, however, there is one contention that I have to make.

As you can tell, there is no range of motion for the head on its own. It's a single piece with the neck, so if you want to move it up or down, you're out of luck. It doesn't really limit too much of what you can do, but it is a bit disappointing.

While we're here, the facial sculpt is the usual Hot Toys quality. Each wrinkle and blotch of skin matches up with the likeness of Clark Gregg. Also in this shot you get a look at the headset and glasses. I will say though that the headset is a bit difficult to get in. Whatever you do, please put this on somewhere that isn't carpet. It will disappear forever should it fall in the carpet.

The big attraction though is the big gun. It features an LED in the barrel, giving it the effect of preparing to be fired. The gun is immensely detailed. From the scope to the weathering effects along the gun, it's the accessory that has to be displayed. The hands are able to hold both handles of the gun tightly and isn't too heavy to make the joints weaken. The only problem, no fault of the gun itself, is that you can't pose him looking through the scope. That's the problem created by the lack of an upper neck joint and not positioning of the rifle.

My favorite part of this figure is the smallest detail, the vintage Captain America cards. The detail on these is incredible at the scale they are. Each card is printed as it was in the movie. As you can tell, there's a bit of blood in the right hand corner of each card. I wish they would have included a clean version of the cards, but I am definitely glad they included them at all.

Another example of the detail is the I.D. card. As you see in the picture, it fits nicely into his jacket pocket. It's honestly scary how clear the I.D. is at that scale. You can read everything on the card, not to mention a clear picture of the man himself. Also in this shot, you can make out the stitching and buttons on the shirt along with the pattern on the tie.

Taking a final look at Coulson, it is the usual standout effort from the company. It is Hot Toys, you know what you are getting here. The accessory count may not be the highest, but the ones included are worth the price of entry. I knew from the beginning that I wanted Agent Coulson and I don't regret the purchase one bit. He may not have a suit of armor, a hammer, or shield, but this was the Avenger I had to have and am glad I do.


Source: http://www.tomopop.com/tomopop-review-hot-toys-agent-phil-coulson-31484.phtml

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Daily iPhone App: Pivvot mixes music and mayhem

I really have a thing for simple games. And I'm not using the word "simple" as a replacement for "easy." I just mean that if a game can teach me how to play it without having to explicitly explain how, I'm much more likely to enjoy my first experience with it. Pivvot is that kind of a game.

Part puzzle game and part rhythm game, Pivvot teaches you everything you need to know about it within the first 45 seconds of playing. You control a floating orb that is tethered to a long track. Your only input comes in the form of swinging your orb in one direction or the other in order to avoid various obstacles.

These obstacles are sometimes attached to one side of the track, prompting you to swing in the opposite direction, or spread across both sides with one side being impassable and the other being a tight, but necessary squeeze. If your orb touches one of these objects, it disintegrates in a multicolored explosion and you'll have to try it again.

There are two main modes of play, a checkpoint-based run where your progress is saved, or a more intense ride where the speed of the course ramps up quickly and a single failure sends you back to the very start. Regardless of which you choose, it's no cakewalk, and the "Expert" variations of both of these modes make things considerably harder. There's also a truly sadistic "Berserk" mode that throws a ton of obstacles at you at high speeds.

This core gameplay is satisfying in its own right, but what really makes Pivvot worth playing is its soundtrack. The techno tracks match the minimalistic art style perfectly and many of the obstacles twist or sway along with the beat, adding an additional layer of complexity. Playing the game with headphones is an absolute treat.

Pivvot makes it a point to say that the game features no in-app purchases whatsoever, which I can appreciate. However, the game does cost US$2.99 upfront, so it's a bit of a tradeoff. Still, the game is undoubtedly worth its asking price and if you're looking for an arcade-style thrill that is instantly accessible, Pivvot is for you.


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Source: http://www.tuaw.com/2013/08/01/daily-iphone-app-pivvot-mixes-music-and-mayhem/

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11 Ways I'm Trying to Achieve a Sane Relationship With the Internet

11 Ways I'm Trying to Achieve a Sane Relationship With the Internet

It?s fair to say that when I write about the Internet or digital devices, my tone tends toward the cautionary, and that?s probably understating the case. But, as my wife would be quick to confirm, I don?t always practice what I preach. I wanted to do something about this, so I created a list of digital disciplines (obviously couldn?t resist the alliteration) that I?ll be trying to stick to in a serious, but not quite puritanical fashion.

Read more...

Source: http://gizmodo.com/11-ways-im-trying-to-achieve-a-sane-relationship-with-1005109859

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Is the FBI snooping on our Google searches?

That's the implication of a piece published in an online magazine today.

By Dan Murphy,?Staff writer / August 1, 2013

A Google search screen is depicted, but in place of the traditional ENTER icon, there is a button that reads: 'This will go in your file.'

Clay Bennett/The Christian Science Monitor

Enlarge

A potential bombshell has been dropped into the roiling debate about privacy and government snooping that's been unleashed by the leaks of former National Security Agency contractor Edward Snowden: A New York area writer published a piece today saying that her home was visited by members of the "joint terrorism task force" after she and her husband searched for "pressure cookers" and "backpacks" on Google and her son may have searched for links on how to make a bomb.?

Skip to next paragraph Dan Murphy

Staff writer

Dan Murphy is a staff writer for the Monitor's international desk, focused on the Middle East.?Murphy, who has reported from Iraq, Afghanistan, Egypt, and more than a dozen other countries, writes and edits Backchannels. The focus? War and international relations, leaning toward things Middle East.

Recent posts

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Michele Catalano's original piece is frustratingly vague, omitting the name of her husband who she said met with the agents, where she lives, and when exactly the visit took place (she writes that it was "weeks ago"). But it is bound to light up the Internet and the national conversation if her central assertion proves true: "It was a confluence of magnificent proportions that led six agents from the joint terrorism task force to knock on my door Wednesday morning. Little did we know our seemingly innocent, if curious to a fault, Googling of certain things was creating a perfect storm of terrorism profiling."?

What seems clear is that her home was paid a visit. The Guardian reports that it spoke to an FBI spokesman who said that Ms. Catalano's home was "visited by Nassau County police... working in conjunction with Suffolk County police." Those are two Long Island counties close to New York City. A call to the FBI's New York city field office was not immediately returned. A Suffolk County police spokeswoman said she'd check with a superior and get back to me. Catalano said on her Twitter feed after publishing the story that "I'm not giving interviews."

What isn't clear is why her home was subject to police (and given the speed with which the FBI confirmed there was a visit, the Bureau) interest. In Catalano's account three black SUVs arrived at her home at 9 a.m, while she was at work and her husband was home with their 20-year-old still sleeping son, with one of the SUVs blocking his car in the driveway. Six men in "casual clothes" with sidearms then fanned out around the house, and two came to the door, asking if they could come in and search the place. Her husband apparently said yes.

There are some odd details in her story. For instance she says that the officers "mentioned that they do this about 100 times a week." If by that they meant the team of six guys in the New York area, that's 20 visits a day assuming a five-day work week and just 30 minutes per visit and travel between visit assuming a 10 hour working day. Perhaps it involves additional teams and in a broader area where she lives? She doesn't say. But that's a lot of mysterious visits from men with badges and guns not to be making it into the press more often.

As they looked around "they were peppering my husband with questions. Where is he from? Where are his parents from? They asked about me, where was I, where do I work, where do my parents live," she summarizes her unnamed husband's account. "Do you have any bombs, they asked. Do you own a pressure cooker? My husband said no, but we have a rice cooker... Have you ever looked up how to make a pressure cooker bomb? My husband, ever the oppositional kind, asked them if they themselves weren?t curious as to how a pressure cooker bomb works, if they ever looked it up. Two of them admitted they did."

The question about looking up a pressure cooker bomb is the strongest bit of evidence that they were snooping on the Catalano family's online habits. But she doesn't quote the men ? who the FBI told the Guardian were Suffolk County police ? saying they'd arrived because of their Internet searches specifically. That's her supposition.

Could it be true? I've been doing a bit of research on Mr. Snowden's claims, which have mostly been filtered through Glenn Greenwald, a columnist for The Guardian, in recent weeks. The position of the US government and former intelligence analysts I've talked to is that US citizens aren't spied on via the Internet without warrants and that the notion that the government is trawling through vast databases at random is fanciful.

The Catalano piece certainly wants to imply that that's precisely what happened. And while I'm somewhat skeptical ? we simply don't know what we don't know. It's a safe bet that her piece is going to be seized upon as "evidence" that the US is doing precisely what it claims it hasn't been doing.?

Could there have been some other reason that the family home was under suspicion? All things are possible, but there's no evidence either way. She writes that "they asked my husband about his work, his visits to South Korea and China." ?At any rate, after a cursory look around, the men left.

There are of course all sorts of potential invasions of privacy that are different from online snooping, and New York area police have been unfortunate pioneers in this field since Sept. 11 2001. The NYPD, for instance, has extended its own surveillance of Muslims into New Jersey and north into New England in the past decade.

In one case in 2008, New York dispatched an undercover officer with the Muslim Students Association from City College on a whitewater rafting trip in Buffalo, during which he recorded all their names and the frequency with which they prayed. The NYPD has also put a range of businesses under surveillance over the years, from kosher delis?to hair salons.

I suspect there's more to this story than the mere search habits of Catalano, her husband, and her son. But if that is the only reason they were visited, this story will have legs. Great long ones.

Source: http://rss.csmonitor.com/~r/feeds/csm/~3/f0TYOkIr1tE/Is-the-FBI-snooping-on-our-Google-searches

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Chromecast-a-Day: Let's double up for Friday

Chromecast-a-day

Whoopsie. Someone kinda got distracted by all this Moto X stuff and forgot to post Thursday's contest. My fault. So let's double up on Friday and give away two more Chromecasts!

Just leave a comment on this post. We'll shut things down at midnight PST and pick a couple winners soon thereafter.

Only one more to go after this. Now, what to do with these new Nexus 7s and a bunch of NVIDIA Shields? To be continued ...

    


Source: http://feedproxy.google.com/~r/androidcentral/~3/4elIYwc64No/story01.htm

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Left tackle Sean Hickey leads list of Syracuse 2014 NFL Draft prospects, according to CBS Sports

We're a long way from the 2014 NFL Draft, but CBSSports.com released a mega-database on Thursday ranking the prospects who would be eligible for that draft.

Syracuse had one of its best drafts in recent memory in April, watching left tackle Justin Pugh become a first-round selection by the New York Giants, and quarterback Ryan Nassib (Giants) and safety Shamarko Thomas (Pittsburgh Steelers) go off the board in the fourth round.

And even though most fans probably are more concerned with these players' performance over the next four months than they are with their pro credentials, it's still an interesting take on how good Syracuse's upperclassmen are perceived to be relative to their collegiate counterparts.

The list is massive, totaling about 1,000 players, so we're just linking to that here and breaking out the SU players for brevity's sake.

No. 59 Sean Hickey: A projected second-round pick, Hickey is listed as the No. 8-rated offensive tackle. He's set to take over for Pugh at the left tackle position this year.

No. 164 Jerome Smith: Like Hickey, Smith still has another year of eligibility remaining after this season. He's projected as a fifth-round pick, which falls in line with the results he received when he submitted his name to the NFL Draft Advisory Board after last season. Smith is listed as the No. 13-rated running back.

No. 208 Keon Lyn: The senior cornerback is projected as a sixth-round pick and is rated as the No. 25 player at his position. Lyn, secondary coach Fred Reed told me, has really stood out as a leader in the defensive backfield through spring ball.

No. 455 Drew Allen: Allen hasn't taken many significant snaps in a game since he was in high school, and his ranking reflects that notion. He's projected as an undrafted free agent and is listed as the No. 25-rated quarterback. Of course, his draft stock can rise if he wins the quarterback competition at Syracuse and turns in a solid season.

No. 474 Marquis Spruill: The senior linebacker is ranked No. 20 at his position (inside linebacker) and is projected as an undrafted free agent. Spruill's ability both inside and outside is a plus, but his size, particularly at a position with a market supply that far exceeds its demand, probably hurts him here. His workout numbers, though, may change that.

No. 502 Charley Loeb: The fifth-year senior, a career backup, is rated as the No. 29 quarterback among draft-eligible prospects.

No. 511 Ri'Shard Anderson: Anderson will enter the preseason as a starter at cornerback opposite Lyn but will be pressed by Brandon Reddish. Anderson is ranked No. 55 at his position.

No. 531 Macky MacPherson: This rating is most likely a byproduct of MacPherson's size --- he's only 6-foot-2, 290 pounds. MacPherson is listed as the No. 18-rated center, which I think is a little low.

No. 571 Jay Bromley: Projected as an undrafted free agent and listed as the No. 43-rated defensive tackle, Bromley could see the biggest jump in his draft stock by the end of the season. He was hurt most of last year, and now all eyes will be on him to anchor the defensive line.

No. 625 Ross Krautman: He's rated at the 10th-best kicker among draft eligible prospects. Unfortunately, hardly any teams spend a draft pick on a kicker. He's seen his production dip over the course of his career and will look to bounce back in 2013.

No. 643 Adrian Flemming: Projected as an undrafted free agent, Flemming is listed as the No. 81-rated wide receiver in the group. He has no career catches.

No. 653 Prince-Tyson Gulley: He's listed as the 50th-ranked running back, but his size (5-foot-10, 192 pounds) might be a deterrent to some teams. He had a breakout season in 2012 but will still split carries this fall with Syracuse's depth at running back.

No. 724 Jeremi Wilkes: He's rated as the 33rd-best free safety prospect and will again start at free safety. Wilkes will have to improve his tackling to be given a serious look as an undrafted free agent.

No. 769 Beckett Wales: Wales is Syracuse's best tight end but comes in at No. 41 among draft-eligible prospects.

No. 918 Clay Cleveland: Cleveland, rated the 27th-best fullback on this list, has a bigger problem. His position seems to be dying in football.

What do you think? Did CBS Sports get it right (as of Aug. 1)? Will Syracuse have more than three players drafted in 2014? Who are the best NFL prospects on Syracuse's roster, including underclassmen?

Drop in the comments below and tell us what you think.

Follow Nate Mink on Twitter @MinkNate or email him at nmink@syracuse.com.

Source: http://www.syracuse.com/orangefootball/index.ssf/2013/08/left_tackle_sean_hickey_leads.html

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NM exhibit shines light on rare Beatles photos

This Feb. 11, 1964 image provided by the David Anthony Fine Art gallery in Taos, N.M., shows a photograph of the Beatles taken by photographer Mike Mitchell during a news conference before the band's first live U.S. concert at the Washington Coliseum. Mitchell?s portraits of the Beatles are the centerpiece of a monthlong photography exhibition at the gallery. This marks the first time the images have been shown since their unveiling in 2011 at a Christie?s auction in New York City. (AP Photo/David Anthony Fine Art, Mike Mitchell)

This Feb. 11, 1964 image provided by the David Anthony Fine Art gallery in Taos, N.M., shows a photograph of the Beatles taken by photographer Mike Mitchell during a news conference before the band's first live U.S. concert at the Washington Coliseum. Mitchell?s portraits of the Beatles are the centerpiece of a monthlong photography exhibition at the gallery. This marks the first time the images have been shown since their unveiling in 2011 at a Christie?s auction in New York City. (AP Photo/David Anthony Fine Art, Mike Mitchell)

This Feb. 11, 1964 image provided by the David Anthony Fine Art gallery in Taos, N.M., shows a photograph of John Lennon taken by photographer Mike Mitchell during the Beatles first live U.S. concert at the Washington Coliseum. Mitchell?s portraits of the Beatles are the centerpiece of a monthlong photography exhibition at the gallery. This marks the first time the images have been shown since their unveiling in 2011 at a Christie?s auction in New York City. (AP Photo/David Anthony Fine Art, Mike Mitchell)

This Feb. 11, 1964 image provided by the David Anthony Fine Art gallery in Taos, N.M., shows a photograph of George Harrison taken by photographer Mike Mitchell during the Beatles first live U.S. concert at the Washington Coliseum. Mitchell?s portraits of the Beatles are the centerpiece of a monthlong photography exhibition at the gallery. This marks the first time the images have been shown since their unveiling in 2011 at a Christie?s auction in New York City. (AP Photo/David Anthony Fine Art, Mike Mitchell)

This Feb. 11, 1964 image provided by the David Anthony Fine Art gallery in Taos, N.M., shows a photograph of Ringo Starr taken by photographer Mike Mitchell during the Beatles first live U.S. concert at the Washington Coliseum. Mitchell?s portraits of the Beatles are the centerpiece of a monthlong photography exhibition at the gallery. This marks the first time the images have been shown since their unveiling in 2011 at a Christie?s auction in New York City. (AP Photo/David Anthony Fine Art, Mike Mitchell)

This Feb. 11, 1964 image provided by the David Anthony Fine Art gallery in Taos, N.M., shows a photograph of Ringo Starr taken by photographer Mike Mitchell at a news conference before the Beatles first live U.S. concert at the Washington Coliseum. Mitchell?s portraits of the Beatles are the centerpiece of a monthlong photography exhibition at the gallery. This marks the first time the images have been shown since their unveiling in 2011 at a Christie?s auction in New York City. (AP Photo/David Anthony Fine Art, Mike Mitchell)

TAOS, N.M. (AP) ? Snow and frigid temperatures didn't stop thousands of screaming teenagers from crowding into the Washington Coliseum in the nation's capital for the Beatles first live concert on American soil.

And not having a flash didn't stop photographer Mike Mitchell, then just 18 years old, from using his unrestricted access to document that historic February night in 1964 using only the dim light in the arena.

Ghostly shadows and streams of light filled some negatives. With the help of modern technology and close to 1,000 hours in front of the computer screen, Mitchell was able to peel back decades of grunge and transform those old negatives into a rare, artful look at one of pop culture's defining moments.

Mitchell's portraits of the Beatles are the centerpiece of a monthlong exhibition at the David Anthony Fine Art gallery in Taos ? the first time the prints have been exhibited since being unveiled in 2011 at a Christie's auction in New York City. The gallery started hanging the first of the framed prints a week ago in preparation for Friday's opening.

"Just amazing," gallery owner David Mapes said as he looked around the room at the large black and white prints and wondered aloud what it must have been like to be in Mitchell's shoes that night.

Mapes pointed to a photograph of the four band members, their backs to the camera with a thin ribbon of light outlining their silhouettes. When he first saw it, he said he teared up. He knew he had to find a way to share it with others.

"It brought back memories of that time. I was a teenager and it was so much about love and everything was optimistic feeling," he said.

It didn't take long from the time the Beatles released their debut album in 1963 to go from a little British bar band to an international sensation. The Beatles' reach eventually stretched beyond music and haircuts to religion and politics.

"The Beatles came to represent some of the yearnings for peace and hope and equality and a larger social justice. In the United States and throughout the world, their personalities became as important as the music," said Norman Markowitz, a history professor at Rutgers University.

For Paul Vance, who teaches a class on the Beatles at Winona State University in Minnesota, the band was the reason he pursued music. He was 11 years old when the Beatles first came to the U.S.

The Beatles had good timing, he said, having arrived at a time when America was still heartbroken over the assassination of then-President John F. Kennedy and young people were looking for meaning in their lives.

"Much has been said and written about it," Vance said of the Beatles' influence. "It's a very significant point that the world after the Beatles was a radically different place than the world before the Beatles, and they did influence and change so many aspects of not just American life, but life everywhere."

Mitchell can't predict what role his photographs will play as historians and music fans continue to examine the evolution of American pop culture. Still, those moments captured by his camera that February night tell a grainy story of four young men who seemed to be having the time of their lives.

Mitchell remembers how hot it was inside the coliseum. The crowd was deafening but the resonating bass beats were unmistakable. He said the Beatles were "on fire" that night.

"They were really juiced. It was obvious at the time that they were really, really, really into it and I think the pictures really benefit from that," he said.

Mitchell said his goal was simple. He wanted to make great portraits of the Beatles while discovering a little more about who they really were.

With no flash, he was forced to wait for the perfect time to snap that shutter. His photographs immortalized the important details of the moment in a bath of light while the rest faded into darkness. It was the concert that marked the beginning of his fascination with light.

"I think that was the first time in my life that I had to really look more deeply at light and take my queues from what the light was doing," he said. "I learned to sort of feel from the light."

____

Follow Susan Montoya Bryan on Twitter: http://www.twitter.com/susanmbryanNM

____

Online:

www.mikemitchell.us

www.davidanthonyfineart.com

Associated Press

Source: http://hosted2.ap.org/APDEFAULT/4e67281c3f754d0696fbfdee0f3f1469/Article_2013-08-02-Beatles-Rare%20Photos/id-f6a3ca958b3a4f6fbe82706e77a522d6

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